ALL THE TOMORROWS AFTER
Forthcoming August 19, 2025
Atheneum Books for Young Readers, Simon & Schuster
A captivating, heartrending novel about a Korean American teen navigating grief and first love who agrees to accept money from her estranged father in exchange for letting him get to know her—for fans of Nina LaCour, Kathleen Glasgow, and All My Rage.
Each night, Winter Moon counts her earnings dreaming of escape. Once she’s saved enough, she and her grandmother can finally take flight and disappear. But when her spiteful mother steals her money and blows through it all in one day, Winter is forced to turn to her estranged father, who recently reappeared in her life after being absent for more than a decade. They agree upon a simple contract: she spends time with him in exchange for payment.
It’s not easy reconciling the past and the present, though, and when she’s struck with a sudden loss, Winter flounders in grief and rage. The only person offering a hand is Joon, the new boy at school who sees Winter when no one else does.
When Winter discovers a secret her father has been keeping from her, things get even more complicated. As she navigates grief, first love, and forgiveness, Winter begins to forge connections, new and old, that make her question everything: her future, her conviction to disappear, and what it really means to be family. Winter knows that broken things can never be fixed, but can they come back together in a different way?
A Summer/Fall 2025 Indies Introduce Selection
★ "Love wrapped up in loss, sharply etched characters, a strong sense of place, and the need to belong—whether with family or friends—makes Yi’s debut an absorbing read. . . A powerful, deftly told story of loss and love that will linger in readers' hearts."
— Kirkus Reviews, STARRED REVIEW
"A story of heartbreak and choiceless resilience . . . Winter’s tender story encourages imagining others as complexly as we see ourselves. Hand to fans of Kelly Yang and Mary H. K. Choi."
— Booklist
"Yi captures the depth and physicality of grief . . . as [Winter] opens up and learns that everyone has some ugly inside them' and that she doesn’t have a monopoly on pain, the story also blossoms, with no character in black and white."
— BCCB